{"id":4489,"date":"2025-07-10T07:02:36","date_gmt":"2025-07-10T07:02:36","guid":{"rendered":"https:\/\/speculumartium.si\/wp21\/?p=4489"},"modified":"2025-08-28T06:47:37","modified_gmt":"2025-08-28T06:47:37","slug":"limen","status":"publish","type":"post","link":"https:\/\/speculumartium.si\/wp21\/limen\/?lang=en","title":{"rendered":"Limen"},"content":{"rendered":"\n<div class=\"wp-block-cover has-base-color has-text-color has-link-color wp-elements-4185983a04e32dfd0ce16ec8443acdef\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim\" style=\"background-color:#262627\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1620\" height=\"1080\" src=\"https:\/\/speculumartium.si\/wp21\/wp-content\/uploads\/2025\/07\/MG_8578_resize.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Limen\" data-object-fit=\"cover\" srcset=\"https:\/\/speculumartium.si\/wp21\/wp-content\/uploads\/2025\/07\/MG_8578_resize.webp 1620w, https:\/\/speculumartium.si\/wp21\/wp-content\/uploads\/2025\/07\/MG_8578_resize-300x200.webp 300w, https:\/\/speculumartium.si\/wp21\/wp-content\/uploads\/2025\/07\/MG_8578_resize-768x512.webp 768w, https:\/\/speculumartium.si\/wp21\/wp-content\/uploads\/2025\/07\/MG_8578_resize-1024x683.webp 1024w, https:\/\/speculumartium.si\/wp21\/wp-content\/uploads\/2025\/07\/MG_8578_resize-1536x1024.webp 1536w\" sizes=\"auto, (max-width: 1620px) 100vw, 1620px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\"><h2 class=\"has-link-color wp-elements-05b72731cef88ac1359c419aaca09aca wp-block-post-title has-text-color has-base-color\">Limen<\/h2>\n\n\n<p class=\"has-base-color has-text-color has-link-color has-x-large-font-size wp-elements-dd19a9823784df4893678af3324ad9ef\">Marc Villanova<\/p>\n<\/div><\/div>\n\n\n\n<p><strong>Limen<\/strong> aims to unveil the invisible sounds of our everyday life. The piece revolves around the fluorescent lamp &#8211; one of the most common sources of light &#8211; which also emits many tones above 20 kHz. Using a special microphone, we captured these ultrasounds and translated them into audible frequencies.<\/p>\n\n\n\n<p>The composition uses only these invisible sounds produced by the lamps. This sonic material triggers a choreography of light composed of 128 fluorescent tubes, arranged in the shape of their ultrasonic waveform. The sculpture is surrounded by a yellow filter &#8211; a color known for its ability to enhance concentration and perceptual capacity &#8211; engaging senses beyond hearing in the experience of these frequencies.<\/p>\n\n\n\n<p><strong>Limen<\/strong> means &#8220;threshold&#8221;: the space in between, the boundary of perception. It is a term that gives linear form to the structure and divides the space in two. The sculpture acts as a threshold between the limits of our perception &#8211; between the visible and the invisible, the audible and the inaudible, between what we can sense and what lies beyond.<\/p>\n\n\n\n<p>Credits:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Commission:<\/strong>\u00a0Art &amp; Tech Days<\/li>\n\n\n\n<li><strong>Produced by:<\/strong>\u00a0Creative Industry Ko\u0161ice<\/li>\n\n\n\n<li><strong>Co-producer:<\/strong>\u00a0Klangraum Krems<\/li>\n\n\n\n<li><strong>Residency Hosts:<\/strong>\u00a0KAIR Ko\u0161ice Artist in Residence,\u00a0Artist in Residence Nieder\u00f6sterreich<\/li>\n\n\n\n<li><strong>Idea, Sound, Light, Construction, Software:<\/strong>\u00a0Marc Vilanova<\/li>\n\n\n\n<li><strong>Production:<\/strong>\u00a0Tatiana Tak\u00e1\u010dov\u00e1, Ivana Rusn\u00e1kov\u00e1,\u00a0Paula\u00a0Haslinger<\/li>\n\n\n\n<li><strong>Studio Assistant:<\/strong><em>Rebeca Ur\u00edzar<\/em><\/li>\n\n\n\n<li><strong>Installation Support:<\/strong>\u00a0Gabriel Podolinsk\u00fd<\/li>\n\n\n\n<li><strong>Software Support:<\/strong>\u00a0Alfredo Ardia<\/li>\n\n\n\n<li><strong>Special Thanks:<\/strong>\u00a0Igi Ayedun, Michal Hladky, Petra Houskova, Anna M\u00e1ria Tr\u00e1vni\u010dkov\u00e1, Miroslava Rybarova, Lisi Grand, Klaus Moser,Ernst Steindl and the Minoritenkirche Team.<\/li>\n\n\n\n<li><strong>Camera:<\/strong>\u00a0Robert Rampacek, Tatiana Tak\u00e1\u010dov\u00e1<\/li>\n\n\n\n<li><strong>Edit:<\/strong>\u00a0Marc Vilanova<\/li>\n\n\n\n<li><strong>Color:<\/strong>\u00a0Venus Villa<\/li>\n\n\n\n<li><strong>Photos by:<\/strong>\u00a0Tatiana Tak\u00e1\u010dov\u00e1<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Limen aims to unveil the invisible sounds of our everyday life. The piece revolves around the fluorescent lamp &#8211; one of the most common sources of light &#8211; which also emits many tones above 20 kHz. Using a special microphone, we captured these ultrasounds and translated them into audible frequencies. The composition uses only these [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4490,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","avtor_projekta":"","_themeisle_gutenberg_block_has_review":false,"avtorji_projekta":"Marc Villanova","ura_in_datum":"","naslednji_field":"","footnotes":""},"categories":[75,76],"tags":[],"class_list":["post-4489","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-95-sa25-en","category-95-sa25-projekti-en"],"_links":{"self":[{"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/posts\/4489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/comments?post=4489"}],"version-history":[{"count":2,"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/posts\/4489\/revisions"}],"predecessor-version":[{"id":4732,"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/posts\/4489\/revisions\/4732"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/media\/4490"}],"wp:attachment":[{"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/media?parent=4489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/categories?post=4489"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/tags?post=4489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}