{"id":5597,"date":"2026-09-07T12:10:26","date_gmt":"2026-09-07T10:10:26","guid":{"rendered":"https:\/\/speculumartium.si\/wp21\/?p=5597"},"modified":"2026-09-08T07:41:28","modified_gmt":"2026-09-08T05:41:28","slug":"ars-electronica-animation-festival-2025-on-tour","status":"publish","type":"post","link":"https:\/\/speculumartium.si\/wp21\/ars-electronica-animation-festival-2025-on-tour\/?lang=en","title":{"rendered":"Ars Electronica Animation Festival 2025 on Tour"},"content":{"rendered":"\n<div class=\"wp-block-cover has-base-color has-text-color has-link-color wp-elements-1\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim\" style=\"background-color:#262627\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1079\" src=\"https:\/\/speculumartium.si\/wp21\/wp-content\/uploads\/2026\/09\/Press-Text_-Animation-Festival-2025-On-Tour-1_resize.webp\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"Ars Electronica Animation Festival 2025 On Tour\" data-object-fit=\"cover\" srcset=\"https:\/\/speculumartium.si\/wp21\/wp-content\/uploads\/2026\/09\/Press-Text_-Animation-Festival-2025-On-Tour-1_resize.webp 1920w, https:\/\/speculumartium.si\/wp21\/wp-content\/uploads\/2026\/09\/Press-Text_-Animation-Festival-2025-On-Tour-1_resize-300x169.webp 300w, https:\/\/speculumartium.si\/wp21\/wp-content\/uploads\/2026\/09\/Press-Text_-Animation-Festival-2025-On-Tour-1_resize-1024x575.webp 1024w, https:\/\/speculumartium.si\/wp21\/wp-content\/uploads\/2026\/09\/Press-Text_-Animation-Festival-2025-On-Tour-1_resize-768x432.webp 768w, https:\/\/speculumartium.si\/wp21\/wp-content\/uploads\/2026\/09\/Press-Text_-Animation-Festival-2025-On-Tour-1_resize-1536x863.webp 1536w, https:\/\/speculumartium.si\/wp21\/wp-content\/uploads\/2026\/09\/Press-Text_-Animation-Festival-2025-On-Tour-1_resize-640x360.webp 640w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\"><h2 class=\"has-link-color wp-elements-2 wp-block-post-title has-text-color has-base-color\">Ars Electronica Animation Festival 2025 on Tour<\/h2>\n\n\n<p class=\"has-base-color has-text-color has-link-color has-x-large-font-size wp-elements-3 wp-block-paragraph\">Various authors<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The Ars Electronica Animation Festival On Tour showcases recent artistic trends in the field of digital animation. The selection, compiled of the submissions at Prix Ars Electronica 2025 in the category New Animation Art bears witness to recent transformations within the field of animation. The festival embraces artists who push the boundaries of the medium, offering innovative and experimental visual narratives. From the 1119 submissions, around 45 projects were selected and showcased at Ars Electronica Animation Festival in September 2025. Around a half of these have been now included in the On Tour program, and are available as three outstanding compilations: PANIC &#8211; PRIX ARS ELECTRONICA SELECTION, AUSTRIAN PANORAMA and YOUNG ANIMATIONS.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2003<\/p>\n\n\n\n<h3 class=\"wp-block-heading has-large-font-size\">PANIC \u2013 PRIX ARS ELECTRONICA SELECTION<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">60 MIN<br>The 2025 Ars Electronica festival title PANIC: Yes\/No found strong reflections also in several of the awarded works of the Prix Ars Electronica, which share underlying sentiments of doomnd unease. This thematic resonance prompted the selection for the On Tour compilation PANIC \u2013 Prix Ars Electronica Selection.<br>The one-hour selection begins with three works awarded by the jury of New Animation Art category at Prix Ars Electronica 2025\u2014one Award of Distinction and two Honorary Mentions. Each tells a different story: the ritualistic unfolding of a mysterious dinner (Supper by Erick Oh); a day in the life of a motion-captured clone condemned to endless performance (The Cast of the Invisible by Lau Wai); and a requiem for a humanoid AI on the brink of being discarded as electronic waste (Aria by Yu Shien Yang and Jin Keon). The selection continues with Corpus and the Wandering by Jo Roy. From there, the works expand into broader landscapes of collapse: Auntlantis by Niceaunties imagines a world overwhelmed by plastic waste, where environmental caretakers\u2014the \u201caunties\u201d\u2014navigate hybrid oceans filled with sea creatures and jelly malls shaped by pollution and consumerism; Light Up New York But for a Moment by Zhuyuan Liu envisions The Times Square overtaken by a mutating media- monster as architecture dissolves into spectacle; Greetings from the New World by Matthieu Mantovani hovers distantly over derelict city structures and landscapes of excess; and Core Dump by Alona Rodeh surveys, from a drone\u2019s perspective, a monumental e-waste dump in the desert. The program culminates with Shockwave, which guides us on an infinite zoom- out through barren, AI-generated terrains in the cataclysmic aftermath of the atomic era.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2003<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Whether swarming over mountains of plastic, obsolete technologies, or industrial detritus, these works collectively confront us with the specter of environmental collapse and societal decay, forming a cohesive panorama in which the viewer instinctively yields to a mounting sense of PANIC.<br>Supper, Erick Oh (US), 6\u2019<br>The Cast of the Invisible, Lau Wai (HK), 13\u2019<br>Aria \u5922\u59ec, Yu Shien Yang &amp; Jin Keon (TW\/KR), 7\u2019<br>Corpus and the Wandering, Jo Roy (CA), 7\u2019<br>Auntlantis, Niceaunties (SG), 5\u2019<br>Light Up New York For But A Moment, Zhuyuan Liu (CN), 8\u2019<br>Greetings from the New World, Matthieu Mantovani (FR), 5&#8242;<br>CORE DUMP, Alona Rodeh (IL\/DE), 4&#8242;<br>Shockwave, Mihai Grecu (RO), 5&#8242;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading has-large-font-size\">AUSTRIAN PANORAMA<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><br>50 MIN<br>Austrian Panorama highlights recent animation works by Austrian artists or artists who live and work in Austria. The selection starts with an experimental AI-driven animation reimagining the dark, melancholic art of Upper Austrian artist Klemens Brosch. The second work, titled Limen by Stefan Krische is a meditation on our powerlessness and despair as society faces rising xenophobia, and the uncritical spread of propaganda through media.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2003<br>Seedless Fruits by Stefanie Schwarzwimmer also addresses societal issues, but in a more satirical tone. It takes us on a journey through a disintegrating corporate headquarters, critiquing neoliberal office culture and the alienation of labor in a system driven solely by profit. Last, but not least, Dagmar Sch\u00fcrrer\u2019s film explores the deep interconnectivity between organic and non-organic beings, digital and analog, human and technology, nature and culture\u2014inviting us to rethink individuality in our increasingly hybrid world.<br>Brosch AI \u2013 Distorted Dreams, Jolanda Abasolo, Victoria Wolfersberger, Celine Pham, Juergen Hagler (AT), 6\u2019<br>Limen, Stefan Krische (AT), 3\u2019<br>Seedless Fruits, Stefanie Schwarzwimmer (AT\/DE), 30&#8242;<br>Where does the rest of the world begin?, Dagmar Sch\u00fcrrer (AT\/DE), 11\u2019<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><br>YOUNG ANIMATIONS<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><br>40 MIN<br>The works of talented filmmakers up to the age of 19 are celebrated in the category Young<br>Animations. The program is a selection of short films created by young artists across Austria, who have submitted their projects to the Prix Ars Electronica 2025 in the u19\u2014 create your world category. Young Animations is a collaboration between Ars Electronica and OeAD (Austria\u2019s Agency for Education and Internationalisation), curated by Sirikit Amann (AT).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2003<br>Dream big little one, Julia Haruksteiner (AT), Sabrina Ransmair (AT)<br>Schubladendenken, Emily Baar, Katharina Janka, Johanna Kogler, BG\/BRG Bad Ischl (AT) Don\u2019t Scroll Your Life Away, Selma Mei\u00dfner (AT) Lightfaces, bilding Basiswerkstatt (AT)<br>with everything extra spicy, BRGORG15 Media Highschool (AT)<br>Home, BG\/BRG Horn (AT)<br>Our Future Without Your Help, Alex Eisl, Chiara Erber, Katharina Nickel, Constanze Rainer,<br>BG\/BRG Bad Ischl (AT)<br>Rising, BORG Mistelbach (AT)<br>Totennebel, Gabriel Berger (AT), Valerian Hobel (AT)<br>Die ultimative Legende von B\u00f6rt, Leander Weinzettl (AT)<br>Herbert der Rutschentester, Jonas Kendlbacher (AT), Tim Klackl (AT)<br>B-Movie \u201cB-VENGERS\u201d, Allgemeine Sonderschule Klosterneuburg (AT)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">ABOUT ARS ELECTRONICA<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><br>Ars Electronica is a platform working at the intersection of art, technology and society through organizing exhibitions, educational programmes and research projects focused on the future of our societies. Founded in 1979 in Linz as a festival it has since expanded to include a laboratory, an award and a museum dedicated to the study and promotion of media arts and digital culture. ars.electronica.art<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">CREDITS<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><br><em>The Prix Ars Electronica, organized by Ars Electronica Linz GmbH &amp; Co KG, is made possible by support from the City of Linz. Special thanks for additional support go to Austrian Federal Ministry for European and International Affairs, Austrian Federal Ministry of Education, Science and Research and OeAD.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The Ars Electronica ANIMATION FESTIVAL 2025 is a collaboration of Ars Electronica with the University of Applied Sciences Upper Austria, Hagenberg Campus. The program is curated by Juergen Hagler (University of Applied Sciences Upper Austria, Hagenberg Campus) and Daniela Duca De Tey (Ars Electronica).<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The Ars Electronica ANIMATION FESTIVAL 2025 ON TOUR was produced with the support of the Austrian Federal Ministry for Europe, Integration and Foreign Affairs.<br>Foto Credits: Still from Festival Trailer \u00a9 Lea Obermair, Still from Supper \u00a9 Erick Oh, Still from Seedless Fruits \u00a9 Stefanie Schwarzwimmer, Still from b-vengers \u00a9 Aso Klosterneuburg<br>Ars Electronica Linz GmbH &amp; Co KG, Ars-Electronica-Stra\u00dfe 1, 4040 Linz, Austria<br>Tel. +43-732-7272-0, Fax +43-732-7272-2, info@ars.electronica.art<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Ars Electronica Animation Festival On Tour showcases recent artistic trends in the field of digital animation. The selection, compiled of the submissions at Prix Ars Electronica 2025 in the category New Animation Art bears witness to recent transformations within the field of animation. The festival embraces artists who push the boundaries of the medium, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5598,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","avtor_projekta":"","_themeisle_gutenberg_block_has_review":false,"avtorji_projekta":"Various authors","ura_in_datum":"","naslednji_field":"","footnotes":""},"categories":[96,86,88],"tags":[],"class_list":["post-5597","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-94-sa26-dbs-en","category-94-sa26-en","category-94-sa26-projekti-en"],"_links":{"self":[{"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/posts\/5597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/comments?post=5597"}],"version-history":[{"count":1,"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/posts\/5597\/revisions"}],"predecessor-version":[{"id":5600,"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/posts\/5597\/revisions\/5600"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/media\/5598"}],"wp:attachment":[{"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/media?parent=5597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/categories?post=5597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/speculumartium.si\/wp21\/wp-json\/wp\/v2\/tags?post=5597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}